關渡考古學 Guandu Archaeology

廖柏森 Liao, Bo-Sen

臺灣 Taiwan

年份 | Year
2019

研究主題 | Location
關渡自然公園歷史回溯 History of Guandu Nature Park 

位置 | Location
活動草坪旁 Next to Activity Lawn

材料 | Material
竹、繩子、蘆葦、廢棄物、文件檔
Bamboo, Rope, Common Reed, Waste Material, Documents

理念 | Statement
本作品透過考古與挖掘的方式來「再現」這段過程。我們知道考古學基本上就是考察物質文化、環境來進行分析，並透過這些資料來建構生活樣貌或可能。另外，再現一直是美學與意義傳遞相當重要的課題。而傅柯在＜詞與物＞ 裡的概念也提到：「每個歷史階段都有一套知識形構規則」，從美學的角度來說，創作也是如此。希望透過在關渡自然公園中的這場「另類」考古與挖掘，讓藝術成為可以更能深地介入空間與時間(可見與不可見)的具體作為。

This artwork is meant to “represents” the process of archaeology and excavation. We know that archaeology is basically to examine the material culture and environment for analysis and to use to the data to reconstruct a life appearance. In addition, representation has always been a very important way to transmission aesthetics and meaning. Michel Foucault in his <Words and Things> also mentioned the concept that each historical stage has a set of rules of knowledge structure. From an aesthetic point, it's same as create artwork. I hope that through this "alternative" archaeology and excavation in the Guandu Nature Park, art will become a concrete way to more deeply intervene in (the visible and invisible) space and time.