白濟豪／李紀辰／江元宏 《地心》Resonate with Earth
地心 Resonate with Earth
白濟豪 Chi Hao Bai／李紀辰 Chichen Lee／江元宏 Yuanzi
臺灣 Taiwan
年份 | Year
2021
位置 | Location
自然中心前草坡 Grass Hill in front of the Nature Center
材料 | Material
竹子、蚵殼粉、土、石、聲音感測器、共振器
Bamboo, oyster powder, soil, rock, sound senser, resonator
理念 | Statement|
「對地洞呼喚，聽見來自地底的土地記憶。」
“Call into the hole and listen to the memories echoing from the center of the earth.”
自然公園的土地，記憶了許多事。自然的事，人類的事，土地一直都記得。
The land inside the nature park holds many memories, memories of nature, and mankind. The land never forgets.
《地心 》 以人聲呼喚土地空間 聆聽地洞共鳴體的造物之音，讓人們如赤子般，透過原始感覺與大地對話遊戲。
Resonate with Earth is an attempt to call out to the land using human voices. As we listen to the sound of nature resonating from the hole, humans, like a playful child, may conduct a dialogue with the mother earth through primordial instincts.
藝術家 Artist
白濟豪／李紀辰／江元宏
白濟豪
植物信仰者／舞踏手／儀式引導
1987 年生，以 森 sen sense lab 為名，進行長期植物相關計畫，透過採集 觸摸自然 ，內化成為對生命的信仰。
枯枝、骨骸，透過儀式性的影像、裝置，舞踏的身體，表達內在隱晦的話語、情感，進行人與天地間最純粹的溝通 。
江元宏
影像配樂製作人、環境音樂創作者
元子，畢業於臺南藝術大學應用音樂學系。大學時期開始其配樂生涯，期間與各領域創作者合作動畫、劇場創作，並與故宮、公視、各大藝術節合作配樂，其作品亦入圍各大影展與獲獎。
創作風格融入台灣特有的日常聲音景觀，關懷環境聲響與自然元素。並以鋼琴為起點，拓展多向度的器樂演奏，如小提琴、尺八、印度桑圖揚琴、台灣月琴與電子合成器。
除了幕後製作，也延伸結合視覺創作的興趣，如顯微結晶攝影與VJ投影、Cymatic等技術，發展個人獨特的視覺美學演出
李紀辰
1987年生，多器樂演奏與人聲。使用的民間樂器含彈撥的台灣月琴、圖瓦三弦、哈薩克冬不拉，沖繩三線，擦弦類的圖瓦馬頭琴，印度提琴，口弦共鳴的各地口簧琴，吹管類的潮兒笛。常常需要維修自己的樂器，動手取材製作。花心思採集各地聲音脈絡發展屬於自己的聲音表達。對人的聲音與自然空間的呼應特別有感。初心是樂器陪伴歌唱，人聲擬自然之音。
Chi Hao Bai／Chichen Lee／Yuanzi
Bai
A Believer of Plants/Butoh Performer/Emcee
Bai was born in 1987. He founded sen sense lab, which conducts long-term plant-related projects. By collecting natural materials and staying in touch with nature, he internalizes the experiences as his own belief in life.
Using dry wood and skeletons; using ritualistic images and installations, Bai expresses the words and emotions inside him through Butoh, conducting a dialogue between mankind and nature in its purest form.
Yuanzi
Producer of video score and composer of environmental music
Yuanzi graduated from the Department of Applied Music of Tainan National University of the Arts. He started producing background music in college. During this time, he also worked on multi-disciplinary collaborations such as animation and theater while producing scores for the National Palace Museum, Public Television Service and various art festivals. His works have been nominated and awarded in multiple film festivals.
His style is one that incorporates the unique local soundscape in Taiwan as well as environmental and natural elements. He started out with piano, and expanded the scope to include multiple instruments, such as the violin, shakuhachi, Indian santur and synthesizer.
Yuanzi also combines music production with his interests in visual art, such as microphotography, VJ projection and Cymatics. He has developed a personal style that embodies visuality and aesthetics with unique characteristics.
Chi Chen Lee
Chi Chen Lee was born in 1987 and is well versed in vocal and a broad range of instruments, including the plucked stringed Taiwanese yueqin, Tuvan doshpuluur, Kazakh dombra, Okinawan sanshin; bowed string instruments such as Tuvan horsehead fiddle and Indian string instruments; wind instruments such as Mongolian tsuur; lamellophone instruments from around the world. He often repairs and makes his own instruments by hand. He develops his own vocal by collecting the sounds from different locations, and he resonates profoundly with the echoes between human voices and natural space. His aspiration is to play musical instruments as he sings, and create the sounds of nature with human voices.
作品 Artworks
